Category: EIT Ideaschool

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Award-winning theatre designer and visual artist appointed to head IDEAschool at EIT | EIT Hawke’s Bay and Tairāwhiti

Source: Eastern Institute of Technology – Tairāwhiti

4 days ago

Dr Sean Coyle is the new Head of School: IDEAschool at EIT.

An award-winning theatre designer, visual artist and researcher has been appointed to lead EIT’s IDEAschool.

Dr Sean Coyle started at EIT as the Head of School: IDEAschool last month. He came from Toi Whakaari – New Zealand Drama School in Wellington, where he was Academic Director. He completed an MA (Hons) in Art and Design at AUT and a PhD at the University of Tasmania.

“I am pleased to be taking this next step as Head of School, because I am really interested in the potential of what the IDEAschool can be. I’m incredibly passionate about creative education and I’m familiar with the creativity that exists in the Bay.”

Sean says that his father is from Napier, so he has spent time in Hawke’s Bay over the years. He is keen to be returning full-time.

“I’m 100 percent committed to getting to know the creative sector and the community in Hawke’s Bay because I feel it’s vital for a creative industry school to be connected in some way to those industries that we are training in. So, one of my number one goals is to touch base with and get advice from the local industry stakeholders.”

Sean, who was born in Melbourne to New Zealand parents, has built a career in the arts over a number of decades. Having spent his formative years in Australia, he finished his schooling at Bay of Island College in Kawakawa, where his family had a bookshop.

His journey into creative practice began with a stint at Art School in Otago and then at Toi Whakaari, where he would later return as Academic Director. After achieving a Diploma in Professional Theatre, he worked in theatre and television in Wellington before going to Melbourne where he did a Graduate Diploma in Dramatic Arts Design at the University of Melbourne’s Victorian College of the Arts. He also worked as a set, costume and lighting designer.

Sean’s career saw him teach at Toi Whakaari, at Northland Polytech in Whangarei, and then at the Pacific Institute of Performing Arts in Auckland where he became Head of School. His latest stint at Toi Whakaari – the last four years- saw him move from being the Head of Design and Arts Management to the Academic Director.

“I had been really interested in moving to Hawke’s Bay for some time, so when this job at EIT came up, it felt like the absolute right fit for me at this time in my life.”

Sean, who has relocated to Napier with his artist partner Grant, says he has always been “a fan” of smaller cities, so is looking forward to living here.

Another important aspect of his new role that Sean is looking forward to, is fostering a research culture in IDEAschool.

“I’m very passionate about creative research and I am an active researcher. I’m publishing as well as doing practice-based research. I also think it’s a necessity for staff that are involved in teaching degree programmes to be research active.”

“I’m interested in the ways that we can do really authentic and valuable research projects that utilise our practice as creative artists, designers and musicians. My aim is to push forward the IDEAschool as a hub of practice-based research.”

Dr Helen Ryan-Stewart, EIT’s Executive Dean, Education, Humanities and Health Science, says: “We are incredibly fortunate to welcome Dr Sean Coyle as the new Head of School: IDEAschool.”

“With a wealth of experience and a passion for nurturing creative talent, Sean brings a fresh perspective and innovative approach to our Faculty. His commitment to fostering creativity, critical thinking, and artistic expression aligns perfectly with the school’s mission. We are excited to see the positive impact he will have on our students, staff and the stakeholders across our local creative industries.”

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EIT student holds first exhibition after winning prestigious scholarship | EIT Hawke’s Bay and Tairāwhiti

Source: Eastern Institute of Technology – Tairāwhiti

1 min ago

EIT IDEAschool student Olivia Wilson pictured with part of her first exhibition Chipper at the Hastings Community Arts Centre. Photo/ Heather Wilson.

Bachelor of Creative Practice student Olivia Wilson is celebrating her first solo exhibition, after winning the prestigious David Fine Scholarship.

The 25-year-old student, who is in her final year of the three-year degree, has been able to bring her creative vision to life at the Hastings Community Arts Centre thanks to the scholarship.

“Winning the David Fine Scholarship was a surprise, but a very exciting one. It’s an honour, and I really wanted to do David Fine and his family justice.”

Olivia’s exhibition, Chipper, draws inspiration from Cyclone Gabrielle and was initially her Level 7 project which required students to solve a problem.

“Cyclone Gabrielle was and still is a huge issue for Hawke’s Bay and I thought that through the opportunity of the David Fine Scholarship, I could do my piece for the Hawke’s Bay Community. A lot of us, following the weather event, suffered from mental stress. I could only relate this to my own experience, and I wanted to help others feel better.”

The Chipper exhibition includes Olivia’s 2D and 3D design work, along with photography and prints from fellow EIT student and fine artist Oriane De Lacey.

A key part of her exhibition is a kinetic windmill design, which Olivia says is a nostalgic reminder of childhood and a grounding symbolism.

“My intention behind Chipper is to simply make you feel good. I want to help you open doorways in your search for a happy life. We all know what it can feel like being stuck in the humdrum of daily life. I wanted to introduce colour to a hard hit Hawke’s Bay community – not just in its literal sense. I also somehow wanted the installation to convey a more positive association with weather.”

“The reaction has been great,” Olivia says. “I’ve loved seeing people’s smiley faces, especially my grandparents, alongside the installation.”

She thanked her team and family, along with her sponsors Resene, Carters, Richard Kepka Builders and Heather Wilson Artist.

Olivia’s passion for design started in high school, where she earned a scholarship in her final year at Napier Girls’ High School.

“My happy place from the get-go has been design. I love concepting and developing ideas and watching them come to fruition. I’ve always known that my passion lies in being creative, and I’m super stoked to almost have a degree and be in my final year.”

Olivia credits her time at EIT as transformative.

“When I left high school, I became quite unwell. I spent several years recovering and learning to manage my illness. I was encouraged by my therapist and my family to enrol at EIT. This decision has been a catalyst for some of the most positive changes in my life to date.

“EIT has been some of the best years of my life – my tutors have really encouraged me, and I feel a very strong sense of community at EIT IDEAschool. I have also made some golden friends.

“I find it really hard to believe sometimes how far I’ve come in relation to where I was. I am now incredibly well, and I think that’s because I have purpose. I owe those who encouraged me along the way, a massive thank you.”

While her two-week exhibition finished on Friday (September 13) the installation has been reinstalled in The Atrium at EIT.

IDEAschool Design Programme Coordinator and Senior Lecturer Anthony Chiappin said: “Livvy and her cohort of third year Bachelor of Creative Practice students have worked together to realise this exhibition”.

“For us it not only showcases the incredible talent we foster within the programme, but the huge amount of support by which the design lecturers who teach the students give, selflessly beyond the call of duty. Lecturers Beck Wheeler, Roger Kelly and Mazin Bahho supported by the rest of the crew, namely Diane Wilkie and Estelle Booth, have been pivotal in seeing this vision through.

“The best part about the education paradigm at IDEAschool is the one on one attention paid to each student, where they get much more real world experience from lecturers who practice in the real world. Overall Chipper can only benefit the entire community, and by default shine some light on the horrific 2023 we all experienced.”

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Chinese experience stimulates EIT academic’s artistic research | EIT Hawke’s Bay and Tairāwhiti

Source: Eastern Institute of Technology – Tairāwhiti

16 mins ago

Anthony Chiappin, a Graphic Communications Senior Lecturer, is also the programme co-ordinator for EIT’s suite of design offerings.

The experience of teaching an EIT programme in Digital Communications to Chinese students has stimulated an IDEAschool lecturer’s artistic research.

Anthony Chiappin, a Graphic Communications Senior Lecturer, is  part of a team of three NZ Design lecturers that deliver EIT’s Bachelor of Creative Practice in China. His own qualifications are a Bachelor of Design and a Masters in Visual Art from Australia’s Monash University.

His dual focus these days is teaching EIT’s Bachelor of Creative Practice  at Zhejiang Yuexiu University (ZYU) in China, and into the domestic programmes in New Zealand. The Chinese teaching has consisted of firstly online and now over in China, face to face with the students.

It was during his visits to China that Anthony, who is originally from Australia, felt his creativity receive a new lease on life.

“I’ve had two stints in China, a total of four and a half months.”

The last one was just over two months with him returning home in late April.

Anthony, who has been at IDEAschool for 13 years and a researcher for even longer, says research is very important to him.

“I call it the sacred feather in the boa of continuation and connection with things that are important to your teaching, but also important to your career and to the work that you’re doing.”

“It’s been an amazing journey. While I was in China, I took the opportunity to do some artwork and I really ripped into it.  In the ZYU apartment I had room to work and it was the first studio that I’ve been able to work in since the cyclone.”

The work he produced there is his China “Episode” Series. He is hoping to get some funding to be able to exhibit the work in China next year.

Asked how Chinese taste in art differed from that in the West, Anthony said China has a very strong cultural base.

“Even in a contemporary sense. There’s a lot of dialogue around the state of China where it’s at currently, but there’s a lot of cultural significance within the work, whereas the Western model is quite different in that sense.”

He says his art form moves between figurative and abstract, with abstract currently taking hold.

“I call my paintings ‘Episodes’. I see them as an ongoing narrative, kind of like a comic book journey where I use superhero narratives within what I do, based on suburban mythologies.” This dialogue certainly comes to play a part within my teaching practice.”

“It was a fantastic eye-opener to be flung into the epicentre of a more provincial city like Shaoxing.”

A point of difference for this work is that he is using Chinese cardboard packing boxes with colourful motifs as the base for his paintings.

“It is quite powerful because the motifs are proudly ensconced within the work. I had worked on boxes in my master’s series years ago, but it just seemed like a natural fit to be able to grab these boxes from the supermarkets on campus, in particular, and use that as the basis to the work.”

“I used four of the paintings, where I call them ‘The Philosophers’. I was influenced by a lot of the works that I was seeing around Zhejiang province and Shanghai as well. But in particular, the beautiful ink paintings by some of the calligraphers and artists in that region from 200 years ago. It was a bit of a mishmash of all this influence being flung at me because China’s overwhelming.”

Anthony says that at present his main focus is China, be it writing, teaching or researching.

It has been a rewarding experience for him, as last year he won “The Overseas Teacher of the Year Award” along with seven other teachers in many other disciplines at the University.

Another project that he is particularly proud of is one involving his wife, Nikki Gabriel, who is a textile designer and holds a Masters of Art & Design from AUT and is a current PhD Candidate at RMIT University, Melbourne. Nikki has just had a book called Construction Knitting published by Bloomsbury Academic Press, London.

“It’s about designing, but knitwear design with geometric shapes is the premise to that. So it’s been an eight-year journey to get that to the point where it’s now published and out in the world.”

Anthony says he was responsible for the photographs and illustrations, with art direction and content by Nikki.

“That’s been a huge part of my research over many, many years. And now that it’s published, I can talk about it as a research project.”

Acting Head of EIT’s IDEAschool Sue Blackmore said: “EIT is encouraging  and supportive of the research endeavours of all EIT lecturers and Anthony’s new series of work inspired by his time in China is very exciting.“

“The team of Bachelor of Creative Practice and Bachelor of Computer Science lecturers that travel and work in Shaoxing are amazing ambassadors for EIT and NZ in China.”